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Locations
Universal Signs was shot in thiry nine days in both Philadelphia,
PA, and Los Angeles, CA. There were nineteen Philadelphia locations and
one LA location. Some of the locations were special and unique for the
production, and we have provided interesting notes about them below.
University of the Arts
The University of the Arts in Philadelphia, PA, generously donated
the use of their Rosenwald-Wolf Gallery, the exterior of their main building,
Hamilton Hall,
and several interior offices as sets for Universal Signs.
Special Note: Hamilton Hall was the original
site of the Pennsylvania
School for the Deaf.
Our Lady of Ransom
The Our Lady of Ransom parish in the Northeast region of Philadelphia is the
location of the Catholic Deaf Apostolate. Our Lady of Ransom holds several
masses a
week
interpreted
in
American Sign Language.
Special Note: Many parish members, both Deaf and
hearing, participated
as extras.
Other Notable Locations:
Drexel University
Doubletree
Hotel
Front & Wolf Streets, Philadelphia
Mayfair
Diner
MINT, 50 South 2nd Street, Philadelphia
Mural Arts Program
Onion Flats
Pearlstein
Properties
SEPTA
Starbucks located
at the Shopps @ Penn
Art
Art plays a very powerful role in Universal Signs. Andrew, the
lead character in the movie, is a celebrated artist originating from
an artistic family.
His mother was a children’s book illustrator. In the course of the story,
we find that she named him after her favorite children’s book character,
Raggedy Andy. Although not a painter or illustrator, Andrew’s father has
his own creative talents as a famous cellist. For Andrew, art is not only a form
of artistic expression but also a link to his spirituality.
Sally Trace
Sally Trace is a painter of contemporary, modern, abstract art reflecting
influences of Cubism, Modernism, the Bauhaus, Surrealism, and Psychedelia.
Universal Signs
Productions commissioned the very talented, Bucks County artist to create original
pieces of art for the film. Trace also allowed Universal Signs to use
some of her other work in the film as set dressing.
Art is a metaphor for life. In both
cases, we keep mucking through the rubble, the chaos and ugliness
while keeping our perceptions tuned for perfection. When we are fortunate,
a glimpse of perfection does emerge. It exists, with absolute clarity,
behind all of our perceptions of chaos, and occasionally we are able
to uncover it and see its grace and power. That's why painting is
a metaphor...the
field is completely open each time we step up to the canvas; we are
free to go in any direction. But exercising that freedom is a paradox
because
the rules about what works visually are as perfect and eloquent as
the rules of mathematics, in a wild sort of way. Maybe they're the
same rules
in a different context. So absolute freedom in painting is a matter
of relinquishing one's free will to the requirements of the painting.
Just
like life in general, we're only really free when we relinquish our
own willfulness to Divine will.
I'm in love with shape and color. I like
to create paintings that have a feeling of substance and give the
viewer a sense of having their imagination
set free. But mostly, it's joy that I wish to express to extend
an understanding
of joy through beauty that is pure and beyond our usual earthly
thought patterns. To whatever degree I'm able to do this, I believe
it's worth
doing. It's such a delight when people connect with a painting;
it's humbling and astounding at the same time. If no one were ever
to see
my paintings, I'd still be compelled to make them, but it's wonderful
when they go out into the world and find their own home.
– Sally Trace
Stuart Adelman
Stuart Adelman is
a Deaf illustrator and artist from the Philadelphia area. Adelman
has illustrated two children’s books Six Stars and Peebers
Goes to The Moon. He is currently illustrating a third story titled Santa
Celebrates Hanukkah. Universal Signs Productions commissioned this gifted
artist to illustrate the children’s book representing the work of Andrew’s
mother. He tenderly recreated the beloved children’s characters Raggedy
Ann and Andy.
Form of line, colors
of the rainbow, characters of art, illustration and cartoon drawings
are in my blood
and mind. As a little boy, they were my first language when I did
not know how to make words come out of my mouth. I was born deaf,
and I spoke
very few words in my early childhood. I wasn’t able to speak in
complete sentences like most people. I never liked to read or write or
even to learn words. Words and English seemed to bounce away from my
ears. My parents did not use sign language, and they only talked directly
to me. When I tried to talk to them, I couldn’t say the words I
meant. I did a lot of screaming with body and arm expressions. They didn’t
know what I was trying to say to them and had no clue at all. We were
frustrated. I pulled out a piece of paper and crayons, and I drew pictures
of what I wanted to say to them and what I wanted them to give me. That
was the early communication between my parents and me. When I realized
how much fun it was to draw and use color, I fell in love with it. The
more I drew and used color, the more it helped me to learn words, speak
in sentences, and use English. I was able to talk to my parents, people,
family and friends. Of course, it also helped that my parents had special
speech and hearing therapists to tutor me. I went to art college and
was trained specifically in art, illustration and animation. Every day,
I learned something new to draw and to improve my art and use of color.
Today I’m a freelance artist, illustrator and graphic designer.
I like to draw and paint original pictures and greeting cards. My dream
is to publish my own children’s books and short novels with
my illustrations. Also, I want to create work for business offices,
Web
designs, and maybe produce an animated movie. This way more people
could be acquainted with my work and me.
– Stuart Adelman
Contributing Artists:
David
Baker
Photograph Chicago Cultural Centre
Photograph Nice Departure Gate #1
Photograph Nice Gate & Stairs #2
Bill Coleman
Photograph Venice Waterway Scene
Hilary Frisch
Installation The Sun
Pastel on Paper Brown U’s Red Velvet Chair
Watercolor Family of Three
April Hodick
Hanging Weaving Spooners
Photograph Sweeping
Photograph Majestic
Painting Dreamscape
Photograph Morning Light
Diane Kae
Photograph Denali Moose
Photograph Wonder Lake
Photograph St. Louis Arch
Phillip
Krivenko
Painting Welcome Cottage
Joy Moody
Painting Untitled Yellow Flowers
Photograph Untitled Red/Orange
Mia Muratori
Print Velocity of Thought |
Stuart
Netsky
Paintings, Sculptures, Installations in the University of the Arts Rosenwald-Wolf
Gallery
Peach
Pair
Print Bleeding Hearts
Pablo Picasso
Reproduction Girl Before A Mirror
courtesy of the Artists'
Rights Society
Francis
Poland
Painting Untitled #22
Painting All It Takes Is One Decision
Painting Love at First Sight
Painting Midnight Confessions of the Secret Ibis
Painting Los Angeles 1
Painting Los Angeles 2
Painting Los Angeles 3
Ellen Sall
Sculpture Teacup Waterfall
Rhona
Schonwald
Painting A Patch of Blue
Painting Swingin’ the Blues
Painting Complementary Scape
Painting Interior Images
Michael Sibilia
Photograph Corner Scene NYC
Photograph Finches in Trees with Blue Sky
Sign Entrance |
Special Thanks for other set dressings/artwork:
Patricia & Roy Amazalorso
American Pie
Condé Nast
Elegant Bride
Cottage Home
Indigo Arts
The Irish Shop
Kinzig Designs
Mural Arts Program
Rebecca & Farid Naib
New York Times
Sand Castle Winery
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